Director’s Cut : Tete-a-tete with Sailesh Konchady.
In the world of Independent cinema, one name has been popping up recently as he has been making waves in the short film festivals: Sailesh Konchady. Hailing from Dubai, Konchady is not only the man behind Urban Edge Films but is also the story writer & director of the captivating and award-winning short film “The Last Dance in Mariupol.” A short film made to showcase the futility of war.
As the film continues to garner accolades and amaze audiences on the international film festival circuit, Sailesh Konchady’s unique storytelling prowess and dedication to his craft are evident. His ability to bring his vision to life on the big screen and his directorial, 3D modeling, and CGI prowess make him one of a kind. He is someone to look out for, as we at GoCreator can already see some great things coming from him in the near future!
Recently, Go Creator enjoyed talking to him and asking him a few questions about his film and future plans! It went as follows:-
1. What inspired you to create “Last Dance at Mariupol”?
I was looking to make a short film to showcase my filmmaking prowess when the Russia-Ukraine war started. It would be interesting to showcase the perspective of a soldier from both sides and how war is a futile exercise and only creates a loss for both sides.
2. What drew you to making a short film?
To be honest, I am very interested in making a full- length feature film, but since I have never made one before (though I have assisted on quite a few), it made more sense to try my hand with a short film to begin with. The short film showcases how much I can do and what I am capable of. Luckily, my film is doing well and has already won a few awards, which will help me approach people to get the funds and support needed for my future projects.
3. Short films usually need more time to convey their message. How did you balance storytelling, character development, and pacing within the limitations of a short film?
When I first started thinking of the movie and concept, I did not consider the time or the final output. I was unsure how long the film would be, but I was convinced that this story had to be told. It was only after the script was written that I knew it would be 10 minutes long, and that worked perfectly well with my vision and idea.
4. Were there any particular challenges you faced during the production of “Last Dance at Mariupol”? How did you overcome these challenges to bring your vision to life?
Oh, there were quite a few challenges! Mostly with getting the permission from the Dubai Film & TV Commission(DFTC). UAE is very particular about being a neutral country and not showing any opinions on geo-political affairs that do not concern them directly. Despite ensuring that no one would look bad in the film, it took us some time to convince them. Only after they saw the script and I took personal responsibility did they allow us to proceed with the movie. Another issue we faced was with the location. We shot the entire film in the UAE, which does not look like Russia or Ukraine. That’s where my 3D modeling and CGI talents came in handy. I am a specialist in these fields, and they helped me make my movie look more realistic.
5. Collaboration is crucial in filmmaking. Could you share some insights about working with your team to achieve the desired outcome?
Collaboration was wonderful. This was indeed a global film with help coming in from across the globe. The crew was terrific and cooperative. Every single person involved was fantastic and very helpful. Overall, as far as the cast & crew is concerned, we had a wonderful experience! We were a good team.
6. What do you hope audiences will take away from “Last Dance at Mariupol”? Is there a specific idea or message you want them to remember?
It’s the same message mentioned in the movie’s last screen. The message is “Stop the War”. No one really wins, and all you have is loss on both sides. There’s no good outcome for anyone, and the ordinary folks suffer on both sides. There are no victors!
7. Are there any specific filmmakers, directors, or artists who have influenced your work, especially in the context of this film?
Not really; I have been into filmmaking for a long time. I started assisting as a teenager in Mumbai. I am just a fan of good films! I watch everything and anything… as I need to know what’s happening in the industry. Now, the world is a much smaller place where movies are concerned, and the emotions are the same wherever you go, even if people are different, so I don’t really follow any filmmakers, directors, etc., but I follow good films!
8. What’s next for you as a filmmaker? Do you have any upcoming projects or ideas you’re excited to explore after “Last Dance at Mariupol”?
I have a story and script ready. It’s called “The Princess of Kandahar,” a story I’ve wanted to tell for a long time. I am very excited about it and can’t wait to turn it into a full-length feature film. I am also currently working on an AI project, which I’m excited about. But my pet project is the Princess of Kandahar, and I’m really looking forward to working on it and making my vision come to life.
9. Finally, what do you have to say about GoCreator?
GoCreator is an excellent initiative to connect new filmmakers and is also the best place to showcase your films to the world. A platform of this kind is the best marketing tool for new filmmakers like me.
Author:
Pooja Shetty
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